By Chris Hoff This week I attended a screening of "Out of The Picture" at the National Center for the Preservation of Democracy in Los Angeles. The documentary "Out of The Picture" chronicles the decline of arts criticism over a several year period culminating during COVID years. The movie, featuring many of the more prominent art critics, documents the accelerated change in arts writing over the last several years. A story we are all quite familiar with now. Except for a short mention of some...
Slayzhon
The OC Art Blog was created in 2004 as a way to build community and promote the marginalized but dynamic Orange County art scene.
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Daisy Chain Fields Sets Bigger ‘Expectations’
By Maggie Luy Paper decor fluttered overhead as baby doll dresses and flower crowns filled the crowd. Women-owned vendors lined the walkways as festivalgoers moved through the sunlight, surrounded by bursts of color and music. That vibrant atmosphere captured...
The Tipping Point: Einar and Jamex de la Torre at the Laguna Art Museum
By Mason Fujikawa The Tipping Point is a two-story installation at the Laguna Art Museum by Einar and Jamex de la Torre. The de la Torre brothers, glassblowers by trade, are prolific mixed-media artists who have exhibited internationally for over thirty years. Born in...
42nd Irvine Annual Takes a Closer Look
By Maggie Luy Take another step and lean in. Ordinary objects reveal deeper stories than they first appear to hold. From delicate threads woven into a portrait to bold images capturing moments of social change, the 42nd Irvine Annual transforms familiar...
Nothing But Net: From Hoop Dreams to Art Scenes at Great Park Gallery
By Maggie Luy Where does the game end, and the art begin? A basketball court is usually defined by rules and competition. In “GAME! Basketball and Contemporary Art,” that definition expands as the court becomes a surface for design and intervention. The...
The Machine in the Studio: OC Artists and Gallerists Reckon with AI
By Chris Hoff There’s a particular kind of vertigo that comes with watching a technology arrive faster than the culture can metabolize it. Photographers felt it in the 1840s. Painters felt it again when Photoshop showed up. Now it’s AI’s turn, and the stakes feel...
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