By Tyler Stallings Brennan Roach, Garden of Earthly Absurdities, 2017-2025,paper, pencil, pen, acrylic, oil on triptych wood panel, 55 x 102 inches. Photo by Tyler Stallings.] Brennan Roach’s Visual Morphology, his first solo exhibition in twelve years, is less a return than an accumulation. Thirty works spanning more than a decade hang at the Orange County Center for Contemporary Art (OCCCA), each piece another link in a chain of restless inquiry. The surprise is not that Roach has been...
By Tyler Stallings Installation view from opening reception at Laguna Art Museum with the artist, Marnie Weber, in front of The Doll House. Photo by Tyler Stallings. Marnie Weber invites viewers into an uncanny fairy-tale realm in The Doll House (2002), a place where fantasy is rendered with exquisite detail and emotional depth—and where absence hums as loudly as presence. On view at the Laguna Art Museum through September 1, this recent acquisition, marks a rare Southern California...
By Tyler Stallings Wendy Park, 90’s Compton Swap Meet, 2025, acrylic on canvas, 60 x 144 in. Photo by Tyler Stallings, courtesy of Various Small Fires. Wendy Park’s Of Our Own, currently on view at Various Small Fires in Tustin, translates personal and collective memory into a visual language that is both formal and affectionate, conceptual and accessible. In this suite of seven acrylic paintings, Park resurrects the atmospheres of Korean-American swap meets, household rituals, and urban...
By Tyler Stallings Walking into Amy Adler’s exhibition Nice Girl at the Orange County Museum of Art, curated by Heidi Zuckerman, OCMA’s CEO and Director, you immediately notice the cinematic arrangement of twenty-one identically sized paintings. They line the curved wall, evenly spaced, like frames from an analog film strip. Adler first came to prominence in the 1990s through a distinct process. She drew intricate representations from photographs, photographed these drawings, then...
By Tyler StallingsFor decades, Carole Caroompas relentlessly pursued a vision that fused punk aesthetics, feminist critique, and literary excavation. With her passing in 2022, the full extent of her artistic reach is only beginning to be reckoned with. Heathcliff and the Femme Fatale Go on Tour, now on view at Laguna Art Museum, is the first focused institutional exhibition of this late-career body of work, and it arrives with the quiet force of a long-overdue acknowledgment. Guest curated by...
By Tyler Stallings Chris O’Leary’s Gravity Well is a profound and poetic meditation on the unseen forces that shape our universe. Curated by Jennifer Frias, director and senior curator at the Nicholas + Lee Begovich Gallery at California State University, Fullerton (CSUF), from November 2, 2024, to May 17, 2025, this multimedia exhibition brings viewers into the realm of gravitational waves—distortions in space-time predicted by Albert Einstein a century ago but only directly...
Naida Osline’s photographic artwork is a manifestation of her vivid imagination. Her images depict her fascinations with underappreciated beauty, the subtle magic of everyday occurrences, surrealism in reality, and the magic of indigenous California flora and fauna. Osline’s work also delves into “themes of economic and cultural structures, community, identity, gender, aging and transformation, along with the mystical and natural worlds in tension with the human-built environment,” she...
The OC Art Blog was created in 2004 as a way to build community and promote the marginalized but dynamic Orange County art scene.
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By Maggie Luy Paper decor fluttered overhead as baby doll dresses and flower crowns filled the crowd. Women-owned vendors lined the walkways as festivalgoers moved through the sunlight, surrounded by bursts of color and music. That vibrant atmosphere captured...
By Mason Fujikawa The Tipping Point is a two-story installation at the Laguna Art Museum by Einar and Jamex de la Torre. The de la Torre brothers, glassblowers by trade, are prolific mixed-media artists who have exhibited internationally for over thirty years. Born in...
By Maggie Luy Take another step and lean in. Ordinary objects reveal deeper stories than they first appear to hold. From delicate threads woven into a portrait to bold images capturing moments of social change, the 42nd Irvine Annual transforms familiar...
By Maggie Luy Where does the game end, and the art begin? A basketball court is usually defined by rules and competition. In “GAME! Basketball and Contemporary Art,” that definition expands as the court becomes a surface for design and intervention. The...
By Chris Hoff There’s a particular kind of vertigo that comes with watching a technology arrive faster than the culture can metabolize it. Photographers felt it in the 1840s. Painters felt it again when Photoshop showed up. Now it’s AI’s turn, and the stakes feel...
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